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This page will contain reviews of various FWW books - some written by myself, some written by some of my readers. If anyone wants any further information on FWW literature or history books, then please do
email me and I'll do my best to help. Or if you prefer, I am an Associate of Amazon.com so use their search box here. I am also an Associate of Amazon.co.uk as the US site doesn't always have books that are listed here, so now you can try the UK site as well. For out-of-print books you could do worse that check the Advanced Book Exchange site - this site features dealers from the UK, US, Australia, Canada and others.


Biography

Tolkien and the Great War: The Threshold of Middle-earth - John Garth

"A pale drawn man sits in a convalescent bed of a wartime hospital. He takes up a school exercise book and writes on its cover, with a calligraphic flourish: 'Tuor and the Exiles of Gondolin'. Then he pauses, lets out a long sigh between the teeth clenched around his pipe, and mutters, 'No, that won't do anymore.' He crosses out the title and writes (without the flourish): 'A Sulbatern on the Somme'. (Tolkien and the Great War: The Threshold of Middle-earth, John Garth, p. 287)

To most people, the phrase 'First World War literature' brings to mind such names as Siegfried Sassoon, Wilfred Owen, Robert Graves, Edmund Blunden or Rupert Brooke, but very few people would immediately think of John Ronald Reuel Tolkien. Although famous for the classic children's tale, The Hobbit, and the epic fantasy for adults, The Lord of the Rings, it is possible that many of those who love Middle-earth are still unaware of Tolkien's brief, yet arguably significant, service in the trenches of the Western Front. John Garth, in this book, argues, from the subtitle The Threshold of Middle-earth to the postscript, that Tolkien's mythology owes much to the influence of the First World War.

Born in 1892, just six years after his contemporary Sassoon, Tolkien was 22 and studying for a degree at Exeter College, Oxford when the First World War turned the world upside down. Unlike the majority of his peers, including Sassoon and Tolkien's own brother Hilary, he did not rush to enlist the moment that Britain declared war on Germany. Part of his reason for delaying enlistment lay in the fact that Tolkien wanted to complete his degree first. He was about to embark on the final year of his studies in 1914, and since he wanted to follow an academic career after completing his degree, he felt that postponing the final year in order to enlist and serve would cause an unnecessary delay to the start of his career after the War, assuming that he survived. Another part of the reason lay in the fact that Tolkien was being asked to fight against those with whom, under other circumstances, he would have enjoyed "academic fellowship"; in the late nineteenth and early twentieth centuries Germany was, in many areas, the leading scientific nation. One of those areas was the science of Philology, Tolkien's own subject. Like W. H. R. Rivers, Sassoon's doctor at Craiglockhart, Tolkien felt a certain amount of ambivalence about a war against his fellow scholars. Thus it was that Tolkien, despite pressure from his aunts and uncles (his parents being long dead), did not enlist in 1914, but completed his degree (taking a First), before applying on June 28, 1915 "for a temporary officer's commission 'for the duration of the war'," a move he later described as "bolt[ing] into the army".1 He had not neglected the military duties expected of him, though. Rather than enlisting for Kitchener's New Army, he had enrolled in the University of Oxford OTC, choosing a course that allowed for a delayed enlistment, which consisted of one military lecture and about six and a half hours of drill each week.2

For those interested in the human side of the First World War, Garth's book unfolds a familiar tale. When Tolkien enlisted he was one of a quartet of Old Boys from King Edward's School in Birmingham known as the TCBS. Tolkien was invited to be a librarian during his final term at the school and he persuaded his great friend, Christopher Wiseman, to assist him. They were joined by their friends Vincent Trout (who died from a severe illness two years before the War), Robert Quilter Gilson (who was the Headmaster's son) and Geoffrey Bache Smith. The five of them enjoyed brewing up "clandestine teas on a spirit stove" in the library office, which led them to calling themselves the Tea Club.3 Then they began to meet outside school hours in the tea room of the nearby Barrow's Stores, which led to a renaming of the group: the Tea Club and Barrovian Society (TCBS).4 All four of the surviving members of the TCBS remained friends and eventually enlisted: Gilson abandoned his degree at Cambridge University (against his father's advice) to join the Cambridgeshire Regiment; G B Smith joined the Oxfordshire and Buckinghamshire Light Infantry; Christopher Wiseman (who had also postponed enlisting to complete his degree) joined the Royal Navy, and Tolkien joined the Lancashire Fusiliers. Gilson and Smith, however, did not survive the War. Gilson was the first "TCBSian" to be killed: by a shell burst in No Man's Land as he was crossing it near La Boiselle on that fateful July 1, 1916.5 Smith survived the whole of the Battle of the Somme, but died on December 3, 1916 of gas gangrene caused by the shell fragments that hit him as a shell exploded near Warlincourt on November 29.6

Tolkien meanwhile, served from July 21 to October 27 1916 as the battalion signalling officer for the 11th Lancashire Fusiliers. His career as a signal officer was abruptly cut short when he succumbed to trench fever, just two months after Sassoon had been invalided home with the same complaint. But whereas Sassoon was able to report fit for duty again in December 1916, Tolkien never entirely managed to shake off his fever, and he spent the next two years in and out of hospitals with repeated bouts of fever that left him weak and thin. When he was found to be fit enough for home duties, Tolkien served with the 3rd Lancashire Fusiliers at the Humber Garrison. He was stationed on the Holderness peninsula and spent much of his time trying to get physically fit again after his recurring bouts of fever.

It was during this time that Tolkien began writing the prose tales that would later become the Book of Lost Tales and part of The Silmarillion, both of which are part of the "background" material to The Lord of the Rings. Some of the 'Silmarillion' material had already been written during his overseas service, as Tolkien recounted in a 1944 letter to his son Christopher, who was then serving in the RAF during WW2.8 The scene described at the start of this review did not, of course, take place: Tolkien wrote an epic fantasy, not a memoir of his trench experiences.

Garth explains that Tolkien's creation of Middle-earth is a contradiction of the prevailing view of literary historians that serious epic and heroic literary traditions were killed off by the First World War.8 Whilst Sassoon, Owen and Graves were "[throwing] away the rulebook used by newspapers, recruitment literature and mainstream poetry, which filtered the War through a style inherited by writers from previous conflicts",9 Tolkien was embracing that same style to "write about an imaginary war" in language "packed with the 'high diction' of valour".10 Some readers of Tolkien's work suspect him of jingoism, others have accused him of engaging in "an act of deliberate defiance of modern history".11 However, Tolkien had long loved Romanticism, and at school he had been fascinated by tales from Northern Europe whilst his school curriculum emphasised Classicism. In spite of Tolkien's preferences though, he did not consider the War to be dashing, adventurous or sacred; he summed up trench life as "animal horror."12 Even when he parodied Lord Macaulay's Lays of Ancient Rome in 1910, Tolkien had known that "the old language of war could be used for false heroics", and after enduring trench life and the training camps, he did not forget that important fact.13 As Garth points out, "The abuse of high diction in battlefield journalism or recruitment pamphlets does not devalue the mediaevalism that Tolkien pursued - any more than the kicking of footballs during the Somme assault renders the game itself obscene or obsolete."14 Garth goes on to say that Tolkien's choice was "a choice as conscious and serious as the opposite but complementary decision made by Graves, Sassoon, and Owen" to abandon high diction for realistic, every day language.15 Aspects of Tolkien's First World War experience are subtly detectable in both The Lord of the Rings and other parts of his mythology: "the pitmen and labourers of the 11th Lancashire Fusiliers", suggests Garth, can be "discerned in one of the Gnome kindreds in 'The Fall of Gondolin', the Hammer of Wrath. These smiths or craftsmen [. . .] form the last-named battalion, but the first to meet the enemy onslaught. [ . . .] The enemy draws them out and surrounds them; but they die taking many of their foes with them."16 As Garth observes, "it is difficult to imagine that Tolkien devised this scenario without thinking about the Somme. [. . .] But the Hammer of Wrath's over-extended advance was the first of several such heroic tragedies [he described]. Fëanor in the 'Silmarillion' and Théoden in The Lord of the Rings also pay with their lives for charging too deeply into enemy territory."17 Similarly, those familiar with Sassoon's or Owen's descriptions of the War-blasted landscape of the Somme will find echoes in Tolkien's description of the area around the Black Gate into Mordor, and of the Plain of Gorgoroth inside Mordor, whilst the depiction of the orc camps on that Plain could be interchanged with almost any description of the war-time training camps.

When The Lord of the Rings was published fifty years ago, "baffled critics tried their hardest to interpret it as an allegory of the struggle against Nazi Germany", but Tolkien pointed out their error, reminding them that "to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918 all but one of my close friends was dead."18 Garth closes his book with the following comments, which I feel are worth quoting in full:

In The Lord of the Rings the embattled city of Minas Tirith is saved by the intervention of a host of the dead out of ancient legends: people who deserted their allies three thousand years before, and have come at last to redeem their oath and to fight. It is an astonishing, fantastic scenario, and morally striking: ghosts joining the war against evil. Yet how similar [. . .] to a visionary moment in Memoirs of an Infantry Officer, where Sassoon recalls the shock of witnessing the return of his men to rest after eleven days in the Somme trenches:

I had seen something that night which overawed me. It was all in a day's work - an exhausted Division returning from the Somme Offensive - but for me it was as though I had watched an army of ghosts. It was as though I had seen the War as it might be envisioned in the mind of some epic poet a hundred years hence.

Tolkien, more famous for prose than poetry, was already at work on his mythology in 1916; but otherwise we may justly regard him as the epic writer Sassoon imagined.19

Footnotes

1 - The Letters of J. R. R. Tolkien, eds Humphrey Carpenter and Christopher Tolkien (HarperCollins Publishers, 1995), p. 53, quoted in Tolkien and the Great War: The Threshold of Middle-earth, John Garth (HarperCollins Publishers, 2003), p. 83
2 - Garth, p. 50
3 - ibid., p. 6
4 - ibid.
5 - ibid., p. 156
6 - ibid., p. 211
7 - Letters, p. 78
8 - Garth, p. 287
9 - ibid., p. 288
10 - ibid.
11 - Hugh Brogan, 'Tolkien's Great War' in Gillian Avery and Julia Briggs (eds) Children and their books: a celebration of the work of Iona and Peter Opie. (Oxford University Press: Oxford, 1989), p. 356 quoted in Garth, p. 289
12 - Garth, p. 290
13 - ibid.
14 - ibid., p. 291
15 - ibid.
16 - ibid.. p. 294
17 - ibid., pp. 294-5
18 - ibid., pp. 309-10; J. R. R. Tolkien Foreword to The Lord of the Rings 2e, p. xvii quoted in Garth, p. 310
19 - Garth, pp. 312-13; Siegfried Sassoon Memoirs of an Infantry Officer, (Faber and Faber, 1937), p. 76

Garth: Tolkien and the Great War Buy John Garth's Tolkien and the Great War in hardback or paperback from Amazon.co.uk or in hardback or paperback from Amazon.com.

You may also be interested in War and the Works of J. R. R. Tolkien in the 'Contributions to the Study of Science Fiction and Fantasy' series by Janet Brennan Croft (Publisher: Praeger Publishers, 2004). You can order from Amazon UK or Amazon US.

Brennan


Wilfred Owen: A New Biography - Dominic Hibberd

Before I picked up Dominic Hibberd's comprehensive new biography, I admit to having had no more than a sketchy knowledge of the details of Wilfred Owen's life. To me, he was the shy, sensitive soul who made his diffident approach to Siegfried Sassoon at Craiglockhart in 1917, the stammering, troubled protagonist of Stephen Macdonald's play, Not about heroes.

This book introduces us to another Owen: the rather callous teenager who belittled the efforts of his younger siblings, the boy who was so proud of his success in matriculation that he paraded around Shrewsbury in a cap and gown, the youth who told his French landlady that his father was a baronet - and persuaded the old man to go along with the charade. When one thinks about it, it's obvious that Owen must have had other sides to his character; without them, he could never have developed the sardonic edge that makes his war poetry so deeply emotive.

Mr Hibberd labours hard to throw into doubt most of what was previously written about the poet by his younger brother, Harold. The result is unflattering to the latter, who comes across as a snob and a prude, despite the author's protestations to the contrary. Harold was emotionally damaged by a feeling of exclusion from the Owen family circle, and particularly from the close relationship between Wilfred and their mother. Susan Owen herself fares even worse, being directly blamed for many of Wilfred's less attractive qualities. At times Mr Hibberd seems not to see how his criticisms of Susan for her "(s)mothering" of her eldest son may lead to a picture of the poet quite at odds with the one he aims to present.

In places, it is not clear whether the misogyny attributed to Owen is really his own or his biographer's: "Occasionally the nursing sister looked in to give shrill orders, her heels clacking irritatingly on the floor. He preferred the deferential calm of the male orderlies, smart young soldiers who did most of the work." Are these Wilfred's words, or Hibberd's ?

One of this biography's stated intentions is to demonstrate that Wilfred Owen was homosexual. This is an area where, in my opinion, Dominic Hibberd fails to produce the promised evidence. The nearest he comes to it is in describing Owen's introduction, by Siegfried Sassoon, into the openly gay circle of Robert Ross - and even then the evidence for Owen's having been sexually active is very limited. We learn that he was "seduced" by Charles Scott Moncrieff, but also that he found Moncrieff's subsequent advances distasteful and embarrassing. Most of the phrases from letters and poems that are quoted in the text are open to alternative interpretations. In fact, several of the episodes described in the book lead to the opposite conclusion from that drawn by the author. I'm not, of course, suggesting that he is wrong; merely that the "evidence" which survives is far from being incontrovertible.

One service this biography does perform is to emphasise the contribution to of Owen's doctor at Craiglockhart to the poet's recovery of his mental health. Arthur Brock, whose devotion to his duties has tended to be overshadowed by the more illustrious reputation of his colleague, Rivers, seems to have had quite an individual approach to treating the officers sent to him. Limited space is given to Brock, however, because Dominic Hibberd is now ready to move on to Sassoon.

As secretary of the Siegfried Sassoon Fellowship, it would be wrong of me not to comment on the portrayal of Sassoon and the account of his relationship with Owen given in this book. It is a curiously colourless one. Although it would be wrong to expect an in-depth discussion of Sassoon's own merits in a book about Owen, the impression given is that Owen originally latched on to the older man for no better reason than that he was a poet. That doesn't reflect well on the subject of the biography.

As I finished reading the last page, despite feeling that I now knew a lot more about Owen, I can't honestly say that I felt I understood him more deeply. My own fault, perhaps, for not picking up more of the subliminal messages. In all fairness, the task of writing the life story of a man who died at twenty-five is an unenviable one. Wilfred Owen was only just maturing; much of his early life, including his poetry, betrays the same naiveté and callowness displayed by Sassoon in the days before the Great War. A would-be biographer inevitably has to scrape the barrel for new insights, and, as the book progresses, the reader has a strong sense of Owen's life slipping relentlessly out of his grasp before he has a chance to become a really interesting human being. (Review by Deborah Fisher, Wales)

Buy Wilfred Owen from Amazon UK.


Literature

Not So Quiet . . . Step-daughters of the War - Helen Zenna Smith

Helen Zenna Smith is the pseudonym of Evadne Price who served as an ambulance driver in France during the FWW. This totally compelling fictionalised account of a woman's experience of the War should be ranked alongside E. M. Remarque's 'All Quiet on the Western Front', Siegfried Sassoon's 'Memoirs of an Infantry Officer' or Edmund Blunden's 'Undertones of War'. The value of the experiences of women who saw active service during the FWW are beginning to be recognised in academic circles thanks to the work of feminist critics, but it is time that such recognition came from the general public as well, and this book is one of many that is capable of bringing those experiences to wider attention. A wonderfully written book that is worth reading.
C-A Recommended

AmazonUK


History

The First Day on the Somme - Martin Middlebrook

In these days of over used superlatives the words classic and monumental dim in the description of this work. The fact that the book was originally written in 1971 and has never gone out of print speaks for its endurance as a major text on FWW. In virtually every work dealing with the Battle of the Somme, Middlebrook's book is cited as one of, if not, the authoritative work on the battle. Even for a reader with only a passing interest in the Somme or FWW in general this book is a must read.

The book starts as a history of Kitchener's New Army, the men's enlistments, training and backgrounds leading up to the battle. He takes the personal histories of 10 men whose units were all on the line and engaged in the first day's battle. The men vary in age, background, class and rank to give an in depth look at the army. He does shift focus, rather easily, to give the reader insight into the goings on at the brigade, division, corps and army level so that no stone is left unturned.

While focusing on the men, he gives the reader information on the structure of the army, their pay, rations and lives. For anyone unfamiliar with the British Arm this is very helpful information. The plan and ideas are laid out leading up to the exploding of the mines under the German lines at 7:20 AM 1 July, 1916. The events of the day begin with Zero Hour and the slaughter that occurred in the German wire on so many fronts. The day is then broken up into sequential segments and the events of the 10 soldiers are followed, as are the activities of many others.

Interesting enough is the German perspective that is given in the battle. In so many books on the war, the perspective is given only to one side. While the stories of the German defenders do not outnumber those of the British soldiers, they are presented and relevant in detail.

Although the battle went on into November 1916, the first day of the Somme was the defining day of not only the battle but the needless slaughter of so many young British and Empire troops.

Following the details of the day, the rest of the book is a critical analysis of the battle and errors of command that occurred. Following this there is an account of the final years of the war and the 10 men and others mentioned in the book. The Appendix gives the Order of Battle of both the British and German Armies, a listing of the senior officer casualties, winners of the Victoria Cross on the first day.

The last chapter is a tour of the battlefield, circa 1971. Never having been to the battlefield, I am not sure how much has changed since this tour was written in 1971.

Overall, "The First Day on the Somme" is certainly one of the finest books written on FWW or on warfare for that matter. It should be on the reading list and in the library of any serious or casual student of the war. (Review by Mark Baldwin, USA.)


1914 - Lyn MacDonald

Lyn Macdonald has made the Great War her life's work. She has not told of the politics nor the grand strategies of the war, rather the war from the common soldiers point of view. Her numerous titles have dealt with the day to day lives of the soldiers, the boredom of camp life or a quiet sector of the trench to the gut-wrenching terror of battle.

1914 tells the story of how the British Army mobilised, was transported, and fought in the hectic opening days of the First World War. Her sources are mostly from interviews collected over a great period of time, diaries, and other unofficial and some official records.

Too many histories have dealt with the thoughts and ideas of the Generals and Field-Marshals, Macdonald has added the much needed voice of the soldiers. Through personal narratives the reader is taken from the civilian employment of the assembly of a hasty defensive line at Mons, as the opening shots are fired on the Western Front. The stories follow the retreat from Mons to LeCateau to the Marne and to the First Battle of Ypres. In this way the reader follows the slow destruction of the "Old Army" to be later replaced by the "New Army" of Lord Kitchener.

For any interested reader on the First World War, MacDonald's books are an essential aid for understanding the War from the common perspective. (Review by Mark Baldwin, USA)

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